'מגננת'
Gardening, Performative drawing, 2020
Sunday, 18 October 2020
Saturday, 17 October 2020
Wednesday, 6 May 2020
Watercolour drawings March - May 2020
Broken Time
Delineation
Keeping a distance
Facing the future
Untitled
Mandala
כולנו ריקמה אנושית אחת
Friday, 10 April 2020
Before and After the fait accompli
Jean-Luc Nancy, ‘The Pleasure in Drawing’ (2013,
p. 14). Fordham University Press.
The French philosopher Jean-Luc Nancy makes a distinction between ‘demonstrative thought’ and ‘monstration’. Demonstration is a gradual process that can be followed step-by-step. On the other hand, monstration ‘puts one … before the fait accompli’.
The French philosopher Jean-Luc Nancy makes a distinction between ‘demonstrative thought’ and ‘monstration’. Demonstration is a gradual process that can be followed step-by-step. On the other hand, monstration ‘puts one … before the fait accompli’.
Monstration – ‘from wikipedia:
"A monstration is a public performance similar to a demonstration, but
intended as creative performance art, often parodying a serious
demonstration." ...
the
monstration can be seen as a constructed situation that can intervene in
existing institutional and public situations.’ From: https://en.wikiversity.org/wiki/Monstration
According to Nancy, ‘drawing’s “fait accompli”
is … the monstration of the form, idea, or thought’.
Friday, 27 March 2020
Two more new drawings March 2020
YNG, Keeping a Distance, Watercolor and pencil on paper, March 2020
ינג, שומרת מרחק, צבעי מים על נייר, מרץ 2020
YNG, Key Worker, Watercolor and pencil on paper, March 2020
ינג, פועלת-מפתח, צבעי מים על נייר, מרץ 2020
Thursday, 26 March 2020
Three new drawings
YNG, Construction Worker, Watercolor and pencil on paper, 59 x 42 cm
March 2020
YNG, Beside Herself, Watercolor and pencil on paper, 59 x 42 cm
March 2020
YNG, Shaking With Fear , Watercolor and pencil on paper, 59 x 42 cm
March 2020
Thursday, 12 March 2020
[Well] Not Being - Collaboration between Anna Makrzanowska and Yonat Nitzan-Green
There was an opportunity to use a shipping container as a studio space as part of Landed project at Loughborough University March 2020.
I wanted to test a performative drawing, entitled 'Maternal Grid', in collaboration with Anka.
Specifically I am interested in the quality of elasticity in drawing.
The drawing is made of graphite powder, latex, threads, fabric and chalk powder. When dry, it is peeled off from the surface on which it is made - a foam sheet similar to a floor padding. Marks and drawings made on this surface with silver ink are transferred to the drawing.
https://youtu.be/qrh0dGP_sNU - Stretching
https://youtu.be/5SRMeMd3fX0 - Birthing
https://youtu.be/MF1NTM8-LDM - Rocking
I wanted to test a performative drawing, entitled 'Maternal Grid', in collaboration with Anka.
Specifically I am interested in the quality of elasticity in drawing.
The drawing is made of graphite powder, latex, threads, fabric and chalk powder. When dry, it is peeled off from the surface on which it is made - a foam sheet similar to a floor padding. Marks and drawings made on this surface with silver ink are transferred to the drawing.
https://youtu.be/qrh0dGP_sNU - Stretching
https://youtu.be/5SRMeMd3fX0 - Birthing
https://youtu.be/MF1NTM8-LDM - Rocking
Monday, 17 February 2020
Friday, 7 February 2020
Sunday, 2 February 2020
Sunday, 5 January 2020
Essay published in TRACEY
Very happy that PIRG's (phenomenology and Imagination research group) essay, entitled: Sites of Conversation, has been published. Here is a link https://ojs.lboro.ac.uk/TRACEY/article/view/2546
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